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The choir performing in Bath Abbey

An evening with JSBach


Saturday 30 March 2019
7.30pm
Bath Abbey

Motet Komm, Jesu, komm
Organ Toccata in the Dorian mode (BWV 538)
Motet Jesu, meine Freude

Interval

Motet Singet dem Herrn
Organ Sonatina from Cantata 106 & Sinfonia from Cantata 29
Motet Lobet den Herrn


Barbara Degener cello
Marcus Sealy organ
Nigel Perrin conductor

Tickets £15, all unreserved, some seats with restricted or no view
Bath Box Office 01225 463 362

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This intimate concert, the first to be presented at the newly-restored east end of Bath Abbey, sees Bath Bach Choir return to its roots, showcasing two contrasting genres of Bach’s genius. Interspersed with the choir’s performance of four of his outstanding German motets, composed in the 1720s for the choir of St Thomas’s Leipzig, Marcus Sealy will perform two of Bach’s most scintillating organ works, using the full range of the abbey’s magnificent Klais organ.

Bach spent his last 27 years as Kantor (director of music) at the Thomasschule attached to the church of St Thomas in Leipzig. His gruelling workload included teaching, producing music for services at four churches in the town, and providing compositions for important civic occasions. The motets were written during this extraordinarily busy period. In our concert we contrast the joyful sounds of Lobet den Herrn, alle Heiden (Praise the Lord, all ye heathens) and Singet dem Herrn ein neues Lied (Sing unto the Lord a new song) with the more contemplative Jesu, meine Freude (Jesu, my joy) and Komm, Jesu, komm (Come, Jesu, come). Bach would occasionally have made use of organ and cello continuo in St Thomas’s, and we will be using this authentic device for our concert also.

The last time Bath Bach Choir performed Lobet den Herrn, alle Heiden it was in front of Bach’s grave at the Thomaskirche in Leipzig – an unforgettable moment in this choir’s history. We look forward to giving an equally inspiring performance on 30 March 2019.



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